Land of Some Other Order. Curated by Paul McAree | Backwater Artists Group

 

Elaine Coakley, Veil, Oil on aluminium_wood, 18x16cm, 2017, €280
Darn Thorn, Shopping Centre, Førde. From the series Fjordism, Silver Gelatin Print, 16 x 20 inch, 2010-19 €650
Helen O Shea, Landmarks I, reused plastic shopping bags
Elaine Coakely, Landscape, Oil on birch ply, 24x17cm, 2020, €350
Ben Reilly, Knobbier, Wax wore pigment, POA. details
Fiona Kelly, Formed by Chance, Birch Ply Screen Print, Bitumen, 3 forms 60cm x40xm x 40xm POA Detail
Deirdre O’Brien, Storm Clearing, Charcoal on paper, 64 x 79cm, 2020, €850
Carol-Anne-Connolly-Arbor-Fallax-I-Giclée-print-on-Hahnemuhle-Photo-Rag €450
Helen O Shea, Landmarks IV, reused plastic shopping bags, €420
Carol-Anne-Connolly-Arbor-Fallax-II-Giclée-print-on-Hahnemuhle-Photo-Rag €450
Darn Thorn, Leirvik, Overlooking Sognefjord. From the series Fjordism, Silver Gelatine Print, 16 x 20 inch, 2010-19 €650
Elaine Coakley, Silver Heart, Oil on aluminium_wood, 18x16cm, 2020 €280
Luke Hickey, Of hope, bereft, Oil on board, 60.3 x 59.7 cm, 2020, €470
Fiona Kelly, Formed by Chance, Birch Ply Screen Print, Bitumen, 3 forms 60cm x40xm x 40xm POA
Deirdre O’Brien, Coastal Rain, Winter, Charcoal on paper, 64 x 79cm, 2020, €850
Elaine Coakley, The Sea, Oil on aluminium_wood, 23x18cm, 2020 €320
Darn Thorn, Ferry to Askvoll, Sunnfjord. From the series Fjordism, Silver Gelatin Print, 16 x 20 inch, 2010-19 €650
Ailbhe Ní Bhriain, Inscriptions #1, pigment baryta print, 125 x 100cm, 2017
Angie Shanahan, Shell 2, Acrylic on Canvas, 20.32 X 25.4cm, 2020,
Ailbhe Ní Bhriain, Inscriptions #10, Pigment baryat print, 66 x 80 cm, €1750 + Vat
Angie Shanahan, Borderlines, Acrylic on canvas,120 x 90cm (dyptch), 2020
Angela Gilmour, At 80° North, cracks are forming, 73x 93cm framed, Oil on canvas, 2020, €1400
Darn Thorn, Dale, Sunnfjord. From the series Fjordism, Silver Gelatin Print, 16 x 20 inch, 2010-19 €650
Deirdre O’Brien, Shadows of Winter, Charcoal on paper, 64 x 79cm, 2020, €850
Angela Gilmour, Dansoy, the end of a ice, Oil on wood panel, 23x30cm, 2020, €280
Elaine Coakley, Deluge, Oil on aluminium_wood, 23x18cm, 2020, €320
Ben Reilly, Knobbier, Wax wore pigment, POA
Ben Reilly, Knobbier, Wax wore pigment, POA. detail.j
Angie Shanahan, Shell 1, Acrylic on Canvas, 20.32x25.4cm (8x10) 2020
Luke Hickey, Lone wandering the line, Oil on board, 58.42 x 40.64 cm, 2019, €350
Ben Reilly, Knobbier, Wax wore pigment, POA. detail
Angie Shanahan, The Broken Forest is in Our Children's Tears, Acrylic on Canvas,
Installation Ben Reilly Sarah Long Helen O Shea
Fiona Kelly, Formed by Chance, Birch Ply Screen Print, Bitumen, 3 forms 60cm x40xm x 40xm POA Installation
Bernadette Tuite, Sands Cove, commercial and artists own stoneware, 38cm x 40 cm, 2019, €750.00
Sarah Long, Kingdom, 100cmx150cm oil and mixed-media on canvas. 2019

 

Ailbhe Ní Bhriain, Angela Gilmour, Angie Shanahan, Ben Reilly, Bernadette Tuite, Carol-Anne Connolly, Darn Thorn, Deirdre O’Brien, Elaine Coakley, Fiona Kelly, Helen O’Shea, Luke Hickey and Sarah Long

Curated by Paul McAree.

 

Kindly sponsored by Ronan Daly Jermyn.

 

Lavit Gallery, Wandesford Quay, Cork

13th March –  11th JULY 2020

 

On the occasion of the 30th anniversary of the organisation, Backwater Artists Group presented a group exhibition of Backwater studio members held in the Lavit Gallery, Wandesford Quay, Cork.

The exhibition focuses on the way the artists respond to changing definitions of landscape, climate, borders, and our human intervention in the world. The exhibition considers the various ways artists are concerned and engaging with some of the most pressing issues of our times, and suggests artists have always forged a deeper relationship with the shifting sense of the land around us.

With a diverse selection of artworks, Land of Some other Order presents work ranging from contemporary pastoral landscapes, landscapes which are always in a state of flux, landscapes seeking to redefine our interpretation of what is truly ‘natural’ or native planting, and images which deal with the complexity of image making itself, leading to an exhibition which re-evaluates our relationship with nature and our attempts to redefine our sense of what it is.

The exhibition featured artwork by Ailbhe Ní Bhriain, Angela Gilmour, Angie Shanahan, Ben Reilly, Bernadette Tuite, Carol-Anne Connolly, Darn Thorn, Deirdre O’Brien, Elaine Coakley, Fiona Kelly, Helen O’Shea, Luke Hickey and Sarah Long.

Paul McAree is Curator at Lismore Castle Arts in Co Waterford, which has hosted solo exhibitions by artists including Gerard Byrne, Dorothy Cross, Camille Henrot, Rashid Johnson and Wilhelm Sasnal. Previously McAree worked at Breaking Ground, Tate Modern and Ikon Gallery Birmingham, and also ran an independent commissioning project, FLOOD, from 2013-2014. He co-founded and directed Colony Gallery in Birmingham from 2007 – 2010. He has curated freelance projects, co-curating Traces at Kasteel Wijlre, The Netherlands in 2018, was curator in residence at Rua Red from 2014-2016, and curator in residence at Temple Bar Gallery, 2012-2013.